Back on November 14, the Washington Post’s Rebecca Ritzel reported on Logos Theatre, a South Carolina theater company “gaining traction” in Washington known for its adaptations of some of C.S. Lewis’s The Chronicles of Narnia books and other works of Christian literature. While people may go to see Logos’ life-sized lion puppet, the Post made sure to warn people that this Christian theater really is Christian.
Ritzel wasted no time trying to paint director Nicole Stratton as a weirdo:
In the recent stage version of “Pilgrim’s Progress” created by Logos Theatre, the Vanity Fair scene features a multicultural parade of 17th century amusements: a maypole, a fortune teller, a tinker’s cart hawking festive wares. The revelers wear long petticoats, velvet pantaloons and carnival masks. All the makings of a late-Renaissance good time, with one…
